Dreaming In Cuban: Reflection of life's changes for those moving to US

His low-spiriteding eyes are like lasers in the night. The beams bounce off his fingernails, five steadfastly blue shields. They scan the beach, illuminating shells and sleeping gulls, then cerebrate on her. The porch turns blue, ultraviolet. Her hands, too, are blue" (Garcia 5). The fact that Celia turns blue from the blue laser-like eyes of her husband is a coloring of one area of her identity, she is defined in love by the light of those blue eyes.

However, as much as blue is used as a metaphor for love and light and the joy of nature, it is besides used to color whatever of the more violent and profound aspects of nature. We touch this quite clearly when Felicia's murder of her husband is recounted. On a hot August day, pregnant, afflicted by venereal diseases, and moved by a sudden clarity, Felicia decides she depart murder her husband by burning him to death as he naps. She bathes a rag in hot kiding pan oil and uses tongs to carry the dripping rag to where her husband is sleeping. She decides the time is ripe to light the rag, and the flame that result fry her husbands motion like the plantains frying in the kitchen is blue, "She lit a match and approached her husband, asleep on the couch?Felicia guardedly brought the blue flame to the top of the rag?Sh

e laughs when she recalls her husband's screams, the way he bolted out the door, his head a flaming torch" (Garcia 82). Felicia still lives in Cuba, but it is her increasing insanity and delusions that separate and fragment the family. Celia herself will go mad but come to find some kind of peace working on Communist activities and accompaniment El Lider, Fidel Castro.

Fleeing the regime of Fidel Castro is, of course, what has broken up the rest of the family. rough handle the breakup well and most do not. For example, Lourdes is Celia's daughter. She ends up living in Brooklyn and opening a business called the Yankee Doodle Bakery. She dives into American life and culture happily, from loving the nipping New York weather, capitalism and she even adopts some less admirable facets of American life, prejudice.

Pilar is artistic and she escapes into her art and painting as the primary method of dealing with her displacement and fractured identity. She eventually becomes herself and finds her identity, because American as she becomes she now dreams in Cuban. Her heritage will never be taken from her no matter how American she becomes in other aspects. She has recognized that the bond between different generations of family members is as strong and flowing as the blue ocean. We see this illustrated by the author when she writes Pilar's experience painting her Abuela, Celia. Celia, Lourdes and Pilar all tonicity differently about the revolution and they argue about it with Lourdes cosmos the most vehement that someone owes Cubans who were stripped of their every bullheadedness by the revolution. In other words, Lourdes' identity comes from her measure of her admit worth by her material things. It is not Cuba she is so fast(a) to as much as it is the things she owned there. However, when Pilar paints her grandmother, we see that she sees and feels and renders her in all aspects of blue, blues as beautiful and rapturous and wonderful as the blues of the ocean or Celia's husb
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