How Dos the Speaker in Adrienne Rich Poem Appear?

Instead, eh maintains, "but for me no fine art / only badly-done exercises / performs of the heart obligate to question / its presumptions in this demesne" (Rich, p. 378).

Rich's talker maintains that human desires and the human tendency to put a cheerful or artful face on the act of loss is merely a pretension, since on the whole human beings leave die. In contrast to describeing any kind of celebration in attachments to earthly things or other people, Rich's loudspeaker advocates a vitriolic response and not submission to the slow licentiousness of all earthly attachments. Like Dylan Thomas' Do Not Go Gentle, Rich's speaker takes exception to Bishop's call to find something to notice in the allow go of earthly attachment. Rich's (p. 378) maintains at that place is nothing to celebrate and that she is angry over having to slowly but surely scatter herself of any earthly attachments, "yes Elizabeth a city here / a village there a sister, comrade, cat / and more no art to this but anger." As such, we see that the speaker in Rich's poem is unable to find anything to celebrate or anything artistic

in the functioning of living, which also encompasses the process of dying and letting go.

The speaker in Rich's poem appears to stand for that the act of living is painful, disappointing, and one long journey toward letting go of all earthly attachments.

Any acts of the heart, the speaker is "forced to question" and any of her notions are merely "presumptions in this world," (Rich, p. 378). The speaker maintains that physically, the letting go process often involves pain and a willful battle to not give up contempt the pain. As the speaker maintains, "acts of the body forced to measure / all instincts against pain / sets of parting trying to let go / without natural endowment up" (Rich, p. 378). The speaker then replies to Elizabeth Bishop with sarcasm, telling her that thought there may be cities and villages, sisters, comrades, cats and more, there is no celebration or art in enjoying this things, merely anger at having to let each and every one of them go. As such, we find the speaker in this poem has a dour worldview. Because she is conscious of mortality, she cannot find any pleasure in t
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