The overriding theme of Jane Eyre, is Janes continual quest for love. Jane searches for love and word sense through the five settings in which she lives: Gateshead, Lowood, Thornfield, Moor House, and Ferndean. Through these viewpoints, the increment and self-recognition of Jane becomes evident, as well as traceable. It is not until Jane flees from Rochester and Thornfield, and spends time at Moor House, that her maturation to womanhood is complete. At this point, Jane is able to at last return to Rochester as an independent woman, fully aware of her confide to love, as well as to be loved.
From the onset of the novel, we project the world through the eyes of Jane; a strong record who wishes to overcome her birth rite as an orphan in Victorian times. From this viewpoint, we are able to trace how Jane progresses in her endeavor for individuality, as well as for love. At Gateshead, it becomes apparent that Jane is terrifically self-willed and possessive of a fiery temper. An example of this is when Jane stands up to her aunt saying, You think I have no feelings, and that I can do without one bit of love or kindness, but I cannot live so: and you have no pity (Bronte, 68). Here, Jane makes her first declaration of independence, contending that she will no nightlong be a secondary member in the reed instrument household.
At Lowood, Jane is repulsed by Mr. Blocklehurst and his two-faced character and coarseness.
However, while at Lowood, Jane finds her first true friend in the form of Helen Burns, other student at the school. Helen teaches Jane of love in the form of religion. By means of instruction as well as by example, Helen is able to convey this message. When Jane is punished in front of the full-length school, she tries to accept it as though it has some higher purpose. However,
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