The Coming-of-Age

It co'ers non only the urban realm with which the adult Baker is familiar and which he covers at once with wit and insight, but also the mountain keep of Virginia and a New Jersey commuter town. Although it does deal with a close in American history which brings up fears of every screen out (war, poverty, hunger, rootlessness), the obligate faces these fears and transcends them. The reader emerging from this book will pure tone a deeper and warmer connection, a greater appreciation for not only the reason and his family, but for the country which served as a crucible for their development.

As Baker declares, he wants in this book to show his own children, and any other reader who wants to jimmy the connections of family members through the generations, how humanity is like a river:

We all summon from the past, and children ought to know what it that went into their making, to know that life is a braided corduroy of humanity stretching up from time long gone, and that it cannot be defined by the span of a single tour from diaper to shroud (Baker 16).

In order to draw this portrait, the origin focuses on his relationship with his mother, which forms the exchange theme of the book.

The author is not only effective but moving in represent the development of his characters, the historical context in which the events take place, and the central theme, which is the pa

Perhaps the reader feels at times that Lucy is a domineering woman who somewhat creakyened little Baker, and even the author seems to perceive something of the male-hater in Lucy. In writing of the origins of this book, Baker writes, "I realized I would aim to start with my mother and her passion for improving the male of the species" (Baker 16).

Baker, Russell. evolution Up. New York: Signet, 1984.

Doris is contrasted with Baker from the beginning to the end of the book. Two age younger than her brother, Doris is a go-getter in contrast to his more than laid-back and philosophical nature (Baker 17-18). Whereas he seeks in life a deeper and more analytical understanding of life, Doris develops a more materialistic and conservative life style.

Everybody was waiting for his ship to gravel in.

It was a sad, bitter phrase used even by children to express the hopelessness of hoping. In the schoolyard we said, "When my ship comes in, I'm going over to New York and see the Yankees play." Meaning that we never expected to be rich enough to sit in Yankee scene of action (Baker 134).

rent-child relationship, specifically the relationship between the author and his mother Lucy.

other secondary character effectively portrayed by the author is his father. While the mother stands out as the bulwark, if not the despot of the family, the father's presence is more in the background, and brief, for he dies at an early on age. The significance of the role of the father in the book and in Baker's life is that he was such a relatively weak character in comparison to Lucy. Whereas Lucy from the first page to the in conclusion appears to the reader to be a "mean old chick" (Baker 344) as Baker's wife Mimi puts it, the father is a quieter, kinder, less demanding character, albeit an pelter who did not take much of an active role in raising the children. His early death from diabetes increases the effect of the mother in the development of Baker. Perhaps most importantly, the father's more
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