While writing and revising Mrs. Dalloway, Virginia Woolf was corresponding with E.M. Forster, who was working on A Passage to India. In September of 1921, she records in her journal: ``A letter from Morgan [Forster] this morning. He seems as critical of the easternmost as of Bloomsbury, & sits dressed in a turban watch his Prince dance'' (Diary 2.138). His unexampled came out well before she correct hers; she read it and noted, ``Morgan is too restrained in his new bind perhaps'' (Diary 2.304). A note of the Anglo-Indian society that dominates A Passage to India resonates in Mrs. Dalloway's background, sounded in part by reverting Indian traveler, Peter Walsh, but also heard and overheard in conversations and oblique references scattered throughout the storey. Reinforcing its literal presence in the novel, an echo of India appears in Mrs. Dalloway's register rhythms. Like the intricate percussion section of the Indian tabla, the fabric of Woolf's narrative comprises a polyrhythmic texture that subtly undermines London's booming metronome: Big Ben. The beautiful and complex narrative of Mrs. Dalloway seems to defy readers' powers of description. David Dowling's Mapping Streams of Consciousness exemplifies a sense maven must ``reconstruct'' the text in order to visit it.
In a section entitled ``A Reading,'' Dowling dissects the novel into neat structural packages so the reader can advantageously study its anatomy. He includes maps of London showing various characters' movements and intersections, an periodic chronology of the day of Clarissa's party, character sketches condensed from details scattered in the text, and, in the appendix, a kind of ``miniature concordance'' that provides counts for some 32 words (``India'' appears 25 times). Other studies of Mrs. Dalloway are less expatiate but serve as well to illustrate the difficulties of describing its narrative patterns. In ``Metaphor, Metonymy, and Ideology: Language and Perception in Mrs. Dalloway,'': Teresa L. Ebert...
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Monday, November 19, 2012
Mrs Dalloway - Analysis of the Film
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